Editor Playbook · v1

Editing, delivery, and timelines.

How we turn shoots into delivered content calendars on a predictable monthly rhythm. The headline rule is simple: every client gets content delivered every month, whether a shoot happened or not.

This playbook covers the timeline, the delivery deadline, what a good shoot handoff looks like, how revisions close out the month, and why all of it protects the business.

Owner
Delivery team
Deliver by
The 25th, every month
Hard deadline
The 28th
Non-negotiable
We ship every month
The Core Rule

Every client gets content every month. Shoot or no shoot.

This is the one that changed. Even if a client never gets a shoot scheduled in the month, we still build their calendar and deliver on time using previous and unused footage. A month with no shoot is never a month with no delivery. A content calendar is always running for every client, going into every month.

The Monthly Timeline

One rhythm, every month.

Shoots land in the first three weeks. We deliver by the 25th. The 26th and 27th are buffer, the 28th is the hard deadline, and the tail of the month is for revisions so the next month starts clean.

How a month runs.

1–21 · shoot window 25 · deliver 26–27 · buffer 28 · last day
1
2
3
4
5
6
7
8
9
10
11
12
13
14
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18
19
20
21cutoff
22
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25deliver
26
27
28last day
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30
Days 1–21Shoot window. Aim to have footage in by the 21st so there's time to turn it around.
The 25thTarget delivery day for every client. This is the minimum bar.
The 26th–28thBuffer for late or end-of-month shoots. The 28th is the latest we deliver.
How the colors map to your week

Green is the goal, yellow is breathing room, red is the wall.

The 25th is green: that's when delivery should land. The 26th and 27th are yellow: fine for a shoot that came in late in the month. The 28th is red: it has to get done that day. After delivery, the rest of the month is for revisions.

The Rules

Five rules that run the month.

Follow these in order and the month takes care of itself.

1
Days 1–21

Shoots land in the first three weeks.

The goal is for videographers to get the month's footage shot in the first 21 days. A shoot early in the month means we have plenty of room to edit and turn it around well before delivery. The 21st is the cutoff we plan around.

  • Earlier is better. A shoot on the 1st or 2nd gives us the most runway. Aim deliveries on those for the 25th.
  • The 21st is the line. Footage in by the 21st still leaves a clean path to a 25th delivery.
2
No shoot by the 21st

Build the calendar anyway.

If there's no shoot scheduled before the 21st, we do not wait. We proceed with the content calendar using previous shoots and unused clips. The calendar runs regardless of whether new footage came in.

  • Once you have word that there's no shoot, or that the shoot is happening after the 21st, start building from what we already have.
  • We have the overview. We know which clips haven't been used and which concepts we can still build, so we can put together a strong calendar on our own.
3
By the 25th

Deliver to every client.

The 25th is the target delivery day for every client, every month. Whether their shoot landed on the 2nd or never happened at all, a finished content calendar goes out. The 25th is the minimum bar.

  • If the shoot was early, aim for the 25th. That is the latest a clean, early-shoot calendar should take.
  • If the shoot was late in the month, use the buffer: the 26th or 27th, and the 28th at the very latest.
4
The 28th

The 28th is the hard deadline.

The 26th and 27th are yellow: acceptable for a shoot that came in near the end of the month. The 28th is the last day we deliver. Barring a genuine, agreed exception, nothing slips past the 28th.

  • Extenuating circumstances happen. Sometimes something has to get pushed. When it does, it's flagged and agreed, not silent.
  • Default is the 28th. Treat it as the wall, not a suggestion.
5
The 26th–30th

Revisions close out the month.

Once the calendar is delivered, the tail of the month is for revisions on that month's content. We finish revisions inside the same month so the next month starts on a clean slate.

  • No overlap into next month. Carrying last month's revisions into the first week of the new month drags down the new calendar. Close them out.
  • A clean slate builds momentum that carries through the first half of the next month's workload.
Shoot or No Shoot

Two paths, same delivery date.

Whether or not a shoot happened, the client gets their calendar on the 25th through the 28th. The only thing that changes is where the content comes from.

Shoot happened

Edit from the new footage.

A shoot landed in the window. Build the calendar from the fresh content, guided by the shoot's breakdown.

  • Early shoot: target the 25th.
  • Late shoot: use the 26th to 28th buffer.
  • Shoot after the 21st: that client's new calendar must be finished by the first week of the next month.
No shoot

Build from what we have.

No shoot was scheduled before the 21st. We still deliver, using previous shoots and unused clips.

  • Roll the shoot forward, not the calendar. A missed shoot can roll into next month. The calendar never rolls over.
  • We build the breakdown ourselves from the clips and concepts we haven't used yet.
  • Still delivered on the 25th through the 28th, same as any other month.
The rule to never break

Roll over the shoot. Never roll over the calendar.

It's fine to tell a client we'll roll a missed shoot into next month. What we can never do is go into a month with no content calendar running. There is always a calendar in motion for every client.

The Shoot Breakdown

A good handoff is a faster edit.

When a shoot comes with a clear content breakdown, we don't have to skim raw files to figure out what we're building. We know the concepts, the counts, and where everything lives before we open the timeline.

What we want

Concept counts

How many talking-head videos, compilation videos, and voiceover pieces the shoot is meant to produce. Numbers, not guesses.

What we want

Concepts spelled out

Each video concept named and described, so the edit follows the strategy instead of reverse-engineering it from the footage.

What we want

Organized per folder

Each concept separated into its own folder. It's a big plus when the raw files are already grouped the way the videos will be cut.

When there's no breakdown

No breakdown, or no shoot? We build it.

When we know there won't be a shoot, or it lands after the 21st, we put the content breakdown together ourselves. We have the full overview of which clips haven't been used and which concepts we can still build, so we can do this effectively. The breakdown is ideal coming from the shoot, but it is never a blocker to delivering.

Why This Matters

Delivering every month protects the business.

This isn't busywork. Consistent delivery is what keeps revenue and profit steady, and steady is what lets us grow.

The cautionary tale

Weston Funding: the month we want to never repeat.

We were waiting on a shoot to get scheduled. The second shoot day never got booked, and because we were waiting, no content went out. Near the end of the month the client pointed out they hadn't received posts and declined to pay for the month.

With nothing delivered, the client had a reason not to pay, and the month went unprofitable on that account. That is the exact situation this timeline exists to prevent. If a calendar had been running the whole time, there would have been something to deliver and something to bill.

The bigger picture

Consistent delivery keeps revenue consistent.

Steady, predictable delivery keeps revenue and profit consistent month to month. That consistency is what makes it safe to grow. When we scale, we want revenue reliably coming in, and we never want to land in a spot where a client month runs unprofitable because nothing shipped.

None of this is on any one person. The Weston month was just how it worked out, and it's why we're on a clearer path now. Deliver something every month, and the account stays healthy.

Every client. Every month.

The short version. If you can answer "yes" to all six, the month was run the Nativz way.

1
Is a calendar running for every client? Even the ones with no shoot scheduled yet.
2
Did shoots target the first 21 days? Earlier shoots, easier month.
3
Did every client get delivered by the 25th? The 28th at the very latest.
4
Did no-shoot clients still get a calendar? Built from previous and unused footage.
5
Did revisions close out inside the month? No overlap dragging into next month's first week.
6
Did we roll the shoot, not the calendar? A missed shoot can move. The delivery never does.